The Little Book of Modern Verse - A Selection from the Work of Contemporaneous American Poets

The Project Gutenberg eBook of The Little Book of Modern Verse This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org . If you are not located in the United States, you’ll have to check the laws of the country where you are located before using this eBook. Title : The Little Book of Modern Verse Editor : Jessie Belle Rittenhouse Release date : January 1, 1998 [eBook #1165] Most recently updated: April 2, 2015 Language : English *** START OF THE PROJECT GUTENBERG EBOOK THE LITTLE BOOK OF MODERN VERSE *** *The Project Gutenberg Etext of The Little Book of Modern Verse* Edited by Jessie B. Rittenhouse #1 in our series by Jessie B. 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Light (alight@vnet.net, formerly alight@mercury.interpath.net, etc.). To assure a high quality text, the original was typed in (manually) twice and electronically compared. The Little Book of Modern Verse ed. Jessie B. Rittenhouse [Note on text: Italicized lines or stanzas are marked by tildes (~). Other italicized words have capitalized. Lines longer than 78 characters are broken and the continuation is indented two spaces. Some obvious errors may have been corrected.] The Little Book of Modern Verse A Selection from the work of contemporaneous American poets Edited by Jessie B. Rittenhouse [Selections made in 1913.] Foreword "The Little Book of Modern Verse", as its name implies, is not a formal anthology. The pageant of American poetry has been so often presented that no necessity exists for another exhaustive review of the art. Nearly all anthologies, however, stop short of the present group of poets, or represent them so inadequately that only those in close touch with the trend of American literature know what the poet of to-day is contributing to it. It is strictly, then, as a reflection of our own period, to show what is being done by the successors of our earlier poets, what new interpretation they are giving to life, what new beauty they have apprehended, what new art they have evolved, that this little book has taken form. A few of the poets included have been writing for a quarter of a century, and were, therefore, among the immediate successors of the New England group, but many have done their work within the past decade and the volume as a whole represents the twentieth-century spirit. From the scheme of the book, that of a small, intimate collection, representative rather than exhaustive, it has been impossible to include all of the poets who would naturally be included in a more ambitious anthology. In certain instances, also, matters of copyright have deterred me from including those whom I had originally intended to represent, but with isolated exceptions the little book covers the work of our later poets and gives a hint of what they are doing. I have attempted, as far as possible, to unify the collection by arranging the poems so that each should set the keynote to the next, or at least bear some relation to it in mood or theme. While it is impossible, with so varied a mass of material, that such a sequence should be exact, and in one or two instances the arrangement has been disturbed by the late addition or elimination of poems, the idea has been to differentiate the little volume from the typical anthology by giving it a unity impossible to a larger collection. Jessie B. Rittenhouse. Contents Across the Fields to Anne. [Richard Burton] After a Dolmetsch Concert. [Arthur Upson] Agamede's Song. [Arthur Upson] As I came down from Lebanon. [Clinton Scollard] As in the Midst of Battle there is Room. [George Santayana] The Ashes in the Sea. [George Sterling] At Gibraltar. [George Edward Woodberry] At the End of the Day. [Richard Hovey] The Automobile. [Percy MacKaye] Azrael. [Robert Gilbert Welsh] Bacchus. [Frank Dempster Sherman] Bag-Pipes at Sea. [Clinton Scollard] Ballade of my Lady's Beauty. [Joyce Kilmer] Be still. The Hanging Gardens were a dream. [Trumbull Stickney] Black Sheep. [Richard Burton] The Black Vulture. [George Sterling] Da Boy from Rome. [Thomas Augustine Daly] The Buried City. [George Sylvester Viereck] Calverly's. [Edwin Arlington Robinson] The Candle and the Flame. [George Sylvester Viereck] Candlemas. [Alice Brown] A Caravan from China comes. [Richard Le Gallienne] Chavez. [Mildred McNeal Sweeney] The Cloud. [Josephine Preston Peabody] Comrades. [Richard Hovey] Comrades. [George Edward Woodberry] The Daguerreotype. [William Vaughn Moody] Departure. [Hermann Hagedorn] The Dreamer. [Nicholas Vachel Lindsay] The Dust Dethroned. [George Sterling] The Eagle that is forgotten. [Nicholas Vachel Lindsay] Euchenor Chorus. [Arthur Upson] Evensong. [Ridgely Torrence] Ex Libris. [Arthur Upson] Exordium. [George Cabot Lodge] A Faun in Wall Street. [John Myers O'Hara] Fiat Lux. [Lloyd Mifflin] The Flight. [Lloyd Mifflin] Four Winds. [Sara Teasdale] "Frost To-Night". [Edith M. Thomas] The Frozen Grail. [Elsa Barker] The Fugitives. [Florence Wilkinson] Gloucester Moors. [William Vaughn Moody] Golden Pulse. [John Myers O'Hara] "Grandmither, think not I forget". [Willa Sibert Cather] Grey Rocks, and Greyer Sea. [Charles G. D. Roberts] Grieve not, Ladies. [Anna Hempstead Branch] The Happiest Heart. [John Vance Cheney] Harps hung up in Babylon. [Arthur Colton] He whom a Dream hath possessed. [Shaemas O Sheel] The Heart's Country. [Florence Wilkinson] Here is the Place where Loveliness keeps House. [Madison Cawein] Hora Christi. [Alice Brown] The House and the Road. [Josephine Preston Peabody] I know not why. [Morris Rosenfeld] I shall not care. [Sara Teasdale] I would I might forget that I am I. [George Santayana] The Inverted Torch. [Edith M. Thomas] The Invisible Bride. [Edwin Markham] Irish Peasant Song. [Louise Imogen Guiney] The Joy of the Hills. [Edwin Markham] Joyous-Gard. [Thomas S. Jones, Jr.] Kinchinjunga. [Cale Young Rice] The Kings. [Louise Imogen Guiney] Da Leetla Boy. [Thomas Augustine Daly] The Lesser Children. [Ridgely Torrence] Let me no more a Mendicant. [Arthur Colton] Life. [John Hall Wheelock] Lincoln, the Man of the People. [Edwin Markham] Little Gray Songs from St. Joseph's. [Grace Fallow Norton] Live blindly. [Trumbull Stickney] Lord of my Heart's Elation. [Bliss Carman] Love came back at Fall o' Dew. [Lizette Woodworth Reese] Love knocks at the Door. [John Hall Wheelock] Love Triumphant. [Frederic Lawrence Knowles] Love's Ritual. [Charles Hanson Towne] Love's Springtide. [Frank Dempster Sherman] The Man with the Hoe. [Edwin Markham] Martin. [Joyce Kilmer] De Massa ob de Sheepfol'. [Sarah Pratt McLean Greene] The Master. [Edwin Arlington Robinson] May is building her House. [Richard Le Gallienne] A Memorial Tablet. [Florence Wilkinson] Miniver Cheevy. [Edwin Arlington Robinson] Mockery. [Louis Untermeyer] Mother. [Theresa Helburn] The Mystic. [Witter Bynner] The Mystic. [Cale Young Rice] The New Life. [Witter Bynner] The Nightingale unheard. [Josephine Preston Peabody] Night's Mardi Gras. [Edward J. Wheeler] An Ode in Time of Hesitation. [William Vaughn Moody] Of Joan's Youth. [Louise Imogen Guiney] On a Fly-Leaf of Burns' Songs. [Frederic Lawrence Knowles] On a Subway Express. [Chester Firkins] On the Building of Springfield. [Nicholas Vachel Lindsay] Once. [Trumbull Stickney] Only of thee and me. [Louis Untermeyer] The Only Way. [Louis V. Ledoux] The Outer Gate. [Nora May French] A Parting Guest. [James Whitcomb Riley] The Path to the Woods. [Madison Cawein] The Poet. [Mildred McNeal Sweeney] The Poet's Town. [John G. Neihardt] The Prince. [Josephine Dodge Daskam] The Quiet Singer. [Charles Hanson Towne] The Recessional. [Charles G. D. Roberts] Renascence. [Edna St. Vincent Millay] A Rhyme of Death's Inn. [Lizette Woodworth Reese] The Ride to the Lady. [Helen Gray Cone] The Rival. [James Whitcomb Riley] The Rosary. [Robert Cameron Rogers] Sappho. [Sara Teasdale] Scum o' the Earth. [Robert Haven Schauffler] The Sea Gypsy. [Richard Hovey] The Sea-Lands. [Orrick Johns] The Secret. [George Edward Woodberry] Sentence. [Witter Bynner] Sic Vita. [William Stanley Braithwaite] Sometimes. [Thomas S. Jones, Jr.] Somewhere. [John Vance Cheney] Song. "For me the jasmine buds unfold". [Florence Earle Coates] Song. "If love were but a little thing —". [Florence Earle Coates] Song. [Richard Le Gallienne] A Song in Spring. [Thomas S. Jones, Jr.] Song is so old. [Hermann Hagedorn] The Song of the Unsuccessful. [Richard Burton] Songs for my Mother. [Anna Hempstead Branch] Souls. [Fannie Stearns Davis] Stains. [Theodosia Garrison] Tears. [Lizette Woodworth Reese] The Tears of Harlequin. [Theodosia Garrison] That Day you came. [Lizette Woodworth Reese] There's Rosemary. [Olive Tilford Dargan] They went forth to Battle, but they always fell. [Shaemas O Sheel] The Thought of her. [Richard Hovey] To a New York Shop-Girl dressed for Sunday. [Anna Hempstead Branch] To William Sharp. [Clinton Scollard] To-Day. [Helen Gray Cone] Trumbull Stickney. [George Cabot Lodge] Tryste Noel. [Louise Imogen Guiney] The Unconquered Air. [Florence Earle Coates] Under Arcturus. [Madison Cawein] The Unreturning. [Bliss Carman] Uriel. [Percy MacKaye] A Vagabond Song. [Bliss Carman] Wanderers. [George Sylvester Viereck] Water Fantasy. [Fannie Stearns Davis] We needs must be divided in the Tomb. [George Santayana] A West-Country Lover. [Alice Brown] When I am dead and Sister to the Dust. [Elsa Barker] When I have gone Weird Ways. [John G. Neihardt] When the Wind is low. [Cale Young Rice] Why. [Bliss Carman] The Wife from Fairyland. [Richard Le Gallienne] A Winter Ride. [Amy Lowell] Winter Sleep. [Edith M. Thomas] Witchery. [Frank Dempster Sherman] Biographical Notes Sincere thanks are due to my friend Thomas S. Jones, Jr., who, during my absence in Europe, has kindly taken charge of all details incident to putting "The Little Book of Modern Verse" through the press. The Little Book of Modern Verse Lord of my Heart's Elation. [Bliss Carman] Lord of my heart's elation, Spirit of things unseen, Be thou my aspiration Consuming and serene! Bear up, bear out, bear onward, This mortal soul alone, To selfhood or oblivion, Incredibly thine own, — As the foamheads are loosened And blown along the sea, Or sink and merge forever In that which bids them be. I, too, must climb in wonder, Uplift at thy command, — Be one with my frail fellows Beneath the wind's strong hand, A fleet and shadowy column Of dust or mountain rain, To walk the earth a moment And be dissolved again. Be thou my exaltation Or fortitude of mien, Lord of the world's elation, Thou breath of things unseen! Gloucester Moors. [William Vaughn Moody] A mile behind is Gloucester town Where the fishing fleets put in, A mile ahead the land dips down And the woods and farms begin. Here, where the moors stretch free In the high blue afternoon, Are the marching sun and talking sea, And the racing winds that wheel and flee On the flying heels of June. Jill-o'er-the-ground is purple blue, Blue is the quaker-maid, The wild geranium holds its dew Long in the boulder's shade. Wax-red hangs the cup From the huckleberry boughs, In barberry bells the grey moths sup Or where the choke-cherry lifts high up Sweet bowls for their carouse. Over the shelf of the sandy cove Beach-peas blossom late. By copse and cliff the swallows rove Each calling to his mate. Seaward the sea-gulls go, And the land-birds all are here; That green-gold flash was a vireo, And yonder flame where the marsh-flags grow Was a scarlet tanager. This earth is not the steadfast place We landsmen build upon; From deep to deep she varies pace, And while she comes is gone. Beneath my feet I feel Her smooth bulk heave and dip; With velvet plunge and soft upreel She swings and steadies to her keel Like a gallant, gallant ship. These summer clouds she sets for sail, The sun is her masthead light, She tows the moon like a pinnace frail Where her phosphor wake churns bright. Now hid, now looming clear, On the face of the dangerous blue The star fleets tack and wheel and veer, But on, but on does the old earth steer As if her port she knew. God, dear God! Does she know her port, Though she goes so far about? Or blind astray, does she make her sport To brazen and chance it out? I watched when her captains passed: She were better captainless. Men in the cabin, before the mast, But some were reckless and some aghast, And some sat gorged at mess. By her battened hatch I leaned and caught Sounds from the noisome hold, — Cursing and sighing of souls distraught And cries too sad to be told. Then I strove to go down and see; But they said, "Thou art not of us!" I turned to those on the deck with me And cried, "Give help!" But they said, "Let be: Our ship sails faster thus." Jill-o'er-the-ground is purple blue, Blue is the quaker-maid, The alder-clump where the brook comes through Breeds cresses in its shade. To be out of the moiling street With its swelter and its sin! Who has given to me this sweet, And given my brother dust to eat? And when will his wage come in? Scattering wide or blown in ranks, Yellow and white and brown, Boats and boats from the fishing banks Come home to Gloucester town. There is cash to purse and spend, There are wives to be embraced, Hearts to borrow and hearts to lend, And hearts to take and keep to the end, — O little sails, make haste! But thou, vast outbound ship of souls, What harbor town for thee? What shapes, when thy arriving tolls, Shall crowd the banks to see? Shall all the happy shipmates then Stand singing brotherly? Or shall a haggard ruthless few Warp her over and bring her to, While the many broken souls of men Fester down in the slaver's pen, And nothing to say or do? On a Subway Express. [Chester Firkins] I, who have lost the stars, the sod, For chilling pave and cheerless light, Have made my meeting-place with God A new and nether Night — Have found a fane where thunder fills Loud caverns, tremulous; — and these Atone me for my reverend hills And moonlit silences. A figment in the crowded dark, Where men sit muted by the roar, I ride upon the whirring Spark Beneath the city's floor. In this dim firmament, the stars Whirl by in blazing files and tiers; Kin meteors graze our flying bars, Amid the spinning spheres. Speed! speed! until the quivering rails Flash silver where the head-light gleams, As when on lakes the Moon impales The waves upon its beams. Life throbs about me, yet I stand Outgazing on majestic Power; Death rides with me, on either hand, In my communion hour. You that 'neath country skies can pray, Scoff not at me — the city clod; — My only respite of the Day Is this wild ride — with God. The Automobile. [Percy MacKaye] Fluid the world flowed under us: the hills Billow on billow of umbrageous green Heaved us, aghast, to fresh horizons, seen One rapturous instant, blind with flash of rills And silver-rising storms and dewy stills Of dripping boulders, till the dim ravine Drowned us again in leafage, whose serene Coverts grew loud with our tumultuous wills. Then all of Nature's old amazement seemed Sudden to ask us: "Is this also Man? This plunging, volant, land-amphibian What Plato mused and Paracelsus dreamed? Reply!" And piercing us with ancient scan, The shrill, primeval hawk gazed down — and screamed. The Black Vulture. [George Sterling] Aloof upon the day's immeasured dome, He holds unshared the silence of the sky. Far down his bleak, relentless eyes descry The eagle's empire and the falcon's home — Far down, the galleons of sunset roam; His hazards on the sea of morning lie; Serene, he hears the broken tempest sigh Where cold sierras gleam like scattered foam. And least of all he holds the human swarm — Unwitting now that envious men prepare To make their dream and its fulfillment one, When, poised above the caldrons of the storm, Their hearts, contemptuous of death, shall dare His roads between the thunder and the sun. Chavez. [Mildred McNeal Sweeney] So hath he fallen, the Endymion of the air, And so lies down in slumber lapped for aye. Diana, passing, found his youth too fair, His soul too fleet and willing to obey. She swung her golden moon before his eyes — Dreaming, he rose to follow — and ran — and was away. His foot was winged as the mounting sun. Earth he disdained — the dusty ways of men Not yet had learned. His spirit longed to run With the bright clouds, his brothers, to answer when The airs were fleetest and could give him hand Into the starry fields beyond our plodding ken. All wittingly that glorious way he chose, And loved the peril when it was most bright. He tried anew the long-forbidden snows And like an eagle topped the dropping height Of Nagenhorn, and still toward Italy Past peak and cliff pressed on, in glad, unerring flight. Oh, when the bird lies low with golden wing Bruised past healing by some bitter chance, Still must its tireless spirit mount and sing Of meadows green with morning, of the dance On windy trees, the darting flight away, And of that last, most blue, triumphant downward glance. So murmuring of the snow: "THE SNOW, AND MORE, O GOD, MORE SNOW!" on that last field he lay. Despair and wonder spent their passionate store In his great heart, through heaven gone astray, And early lost. Too far the golden moon Had swung upon that bright, that long, untraversed way. Now to lie ended on the murmuring plain — Ah, this for his bold heart was not the loss, But that those windy fields he ne'er again Might try, nor fleet and shimmering mountains cross, Unfollowed, by a path none other knew: His bitter woe had here its deep and piteous cause. Dear toils of youth unfinished! And songs unwritten, left By young and passionate hearts! O melodies Unheard, whereof we ever stand bereft! Clear-singing Schubert, boyish Keats — with these He roams henceforth, one with the starry band, Still paying to fairy call and far command His spirit heed, still winged with golden prophecies. The Sea Gypsy. [Richard Hovey] I am fevered with the sunset, I am fretful with the bay, For the wander-thirst is on me And my soul is in Cathay. There's a schooner in the offing, With her topsails shot with fire, And my heart has gone aboard her For the Islands of Desire. I must forth again to-morrow! With the sunset I must be Hull down on the trail of rapture In the wonder of the sea. At Gibraltar. [George Edward Woodberry] I England, I stand on thy imperial ground, Not all a stranger; as thy bugles blow, I feel within my blood old battles flow — The blood whose ancient founts in thee are found Still surging dark against the Christian bound Wide Islam presses; well its peoples know Thy heights that watch them wandering below; I think how Lucknow heard their gathering sound. I turn, and meet the cruel, turbaned face. England, 't is sweet to be so much thy son! I feel the conqueror in my blood and race; Last night Trafalgar awed me, and to-day Gibraltar wakened; hark, thy evening gun Startles the desert over Africa! II Thou art the rock of empire, set mid-seas Between the East and West, that God has built; Advance thy Roman borders where thou wilt, While run thy armies true with His decrees. Law, justice, liberty — great gifts are these; Watch that they spread where English blood is spilt, Lest, mixed and sullied with his country's guilt, The soldier's life-stream flow, and Heaven displease! Two swords there are: one naked, apt to smite, Thy blade of war; and, battle-storied, one Rejoices in the sheath, and hides from light. American I am; would wars were done! Now westward, look, my country bids good-night — Peace to the world from ports without a gun! Euchenor Chorus. [Arthur Upson] (From "The City") Of old it went forth to Euchenor, pronounced of his sire — Reluctant, impelled by the god's unescapable fire — To choose for his doom or to perish at home of disease Or be slain of his foes, among men, where Troy surges down to the seas. Polyides, the soothsayer, spake it, inflamed by the god. Of his son whom the fates singled out did he bruit it abroad; And Euchenor went down to the ships with his armor and men And straightway, grown dim on the gulf, passed the isles he passed never again. Why weep ye, O women of Corinth? The doom ye have heard Is it strange to your ears that ye make it so mournful a word? Is he who so fair in your eyes to his manhood upgrew, Alone in his doom of pale death — are of mortals the beaten so few? O weep not, companions and lovers! Turn back to your joys: The defeat was not his which he chose, nor the victory Troy's. Him a conqueror, beauteous in youth, o'er the flood his fleet brought, And the swift spear of Paris that slew completed the conquest he sought. Not the falling proclaims the defeat, but the place of the fall; And the fate that decrees and the god that impels through it all Regard not blind mortals' divisions of slayer and slain, But invisible glories dispense wide over the war-gleaming plain. He whom a Dream hath possessed. [Shaemas O Sheel] He whom a dream hath possessed knoweth no more of doubting, For mist and the blowing of winds and the mouthing of words he scorns; Not the sinuous speech of schools he hears, but a knightly shouting, And never comes darkness down, yet he greeteth a million morns. He whom a dream hath possessed knoweth no more of roaming; All roads and the flowing of waves and the speediest flight he knows, But wherever his feet are set, his soul is forever homing, And going, he comes, and coming he heareth a call and goes. He whom a dream hath possessed knoweth no more of sorrow, At death and the dropping of leaves and the fading of suns he smiles, For a dream remembers no past and scorns the desire of a morrow, And a dream in a sea of doom sets surely the ultimate isles. He whom a dream hath possessed treads the impalpable marches, From the dust of the day's long road he leaps to a laughing star, And the ruin of worlds that fall he views from eternal arches, And rides God's battlefield in a flashing and golden car. The Kings. [Louise Imogen Guiney] A man said unto his Angel: "My spirits are fallen low, And I cannot carry this battle: O brother! where might I go? "The terrible Kings are on me With spears that are deadly bright; Against me so from the cradle Do fate and my fathers fight." Then said to the man his Angel: "Thou wavering, witless soul, Back to the ranks! What matter To win or to lose the whole, "As judged by the little judges Who hearken not well, nor see? Not thus, by the outer issue, The Wise shall interpret thee. "Thy will is the sovereign measure And only events of things: The puniest heart, defying, Were stronger than all these Kings. "Though out of the past they gather, Mind's Doubt, and Bodily Pain, And pallid Thirst of the Spirit That is kin to the other twain, "And Grief, in a cloud of banners, And ringletted Vain Desires, And Vice, with the spoils upon him Of thee and thy beaten sires, — "While Kings of eternal evil Yet darken the hills about, Thy part is with broken sabre To rise on the last redoubt; "To fear not sensible failure, Nor covet the game at all, But fighting, fighting, fighting, Die, driven against the wall." Mockery. [Louis Untermeyer] God, I return to You on April days When along country roads You walk with me, And my faith blossoms like the earliest tree That shames the bleak world with its yellow sprays — My faith revives, when through a rosy haze The clover-sprinkled hills smile quietly, Young winds uplift a bird's clean ecstasy . . . For this, O God, my joyousness and praise! But now — the crowded streets and choking airs, The squalid people, bruised and tossed about; These, or the over-brilliant thoroughfares, The too-loud laughter and the empty shout, The mirth-mad city, tragic with its cares . . . For this, O God, my silence — and my doubt. An Ode in Time of Hesitation. [William Vaughn Moody] I Before the solemn bronze Saint Gaudens made To thrill the heedless passer's heart with awe, And set here in the city's talk and trade To the good memory of Robert Shaw, This bright March morn I stand, And hear the distant spring come up the land; Knowing that what I hear is not unheard Of this boy soldier and his Negro band, For all their gaze is fixed so stern ahead, For all the fatal rhythm of their tread. The land they died to save from death and shame Trembles and waits, hearing the spring's great name, And by her pangs these resolute ghosts are stirred. II Through street and mall the tides of people go Heedless; the trees upon the Common show No hint of green; but to my listening heart The still earth doth impart Assurance of her jubilant emprise, And it is clear to my long-searching eyes That love at last has might upon the skies. The ice is runneled on the little pond; A telltale patter drips from off the trees; The air is touched with Southland spiceries, As if but yesterday it tossed the frond Of pendant mosses where the live-oaks grow Beyond Virginia and the Carolines, Or had its will among the fruits and vines Of aromatic isles asleep beyond Florida and the Gulf of Mexico. III Soon shall the Cape Ann children shout in glee, Spying the arbutus, spring's dear recluse; Hill lads at dawn shall hearken the wild goose Go honking northward over Tennessee; West from Oswego to Sault Sainte-Marie, And on to where the Pictured Rocks are hung, And yonder where, gigantic, wilful, young, Chicago sitteth at the northwest gates, With restless violent hands and casual tongue Moulding her mighty fates, The Lakes shall robe them in ethereal sheen; And like a larger sea, the vital green Of springing wheat shall vastly be outflung Over Dakota and the prairie states. By desert people immemorial On Arizonan mesas shall be done Dim rites unto the thunder and the sun; Nor shall the primal gods lack sacrifice More splendid, when the white Sierras call Unto the Rockies straightway to arise And dance before the unveiled ark of the year Sounding their windy cedars as for shawms, Unrolling rivers clear For flutter of broad phylacteries; While Shasta signals to Alaskan seas That watch old sluggish glaciers downward creep To fling their icebergs thundering from the steep, And Mariposa through the purple calms Gazes at far Hawaii crowned with palms Where East and West are met, — A rich seal on the ocean's bosom set To say that East and West are twain, With different loss and gain: The Lord hath sundered them; let them be sundered yet. IV Alas! what sounds are these that come Sullenly over the Pacific seas, — Sounds of ignoble battle, striking dumb The season's half-awakened ecstasies? Must I be humble, then, Now when my heart hath need of pride? Wild love falls on me from these sculptured men; By loving much the land for which they died I would be justified. My spirit was away on pinions wide To soothe in praise of her its passionate mood And ease it of its ache of gratitude. Too sorely heavy is the debt they lay On me and the companions of my day. I would remember now My country's goodliness, make sweet her name. Alas! what shade art thou Of sorrow or of blame Liftest the lyric leafage from her brow, And pointest a slow finger at her shame? V Lies! lies! It cannot be! The wars we wage Are noble, and our battles still are won By justice for us, ere we lift the gage. We have not sold our loftiest heritage. The proud republic hath not stooped to cheat And scramble in the market-place of war; Her forehead weareth yet its solemn star. Here is her witness: this, her perfect son, This delicate and proud New England soul Who leads despised men, with just-unshackled feet, Up the large ways where death and glory meet, To show all peoples that our shame is done, That once more we are clean and spirit-whole. VI Crouched in the sea-fog on the moaning sand All night he lay, speaking some simple word From hour to hour to the slow minds that heard, Holding each poor life gently in his hand And breathing on the base rejected clay Till each dark face shone mystical and grand Against the breaking day; And lo, the shard the potter cast away Was grown a fiery chalice crystal-fine, Fulfilled of the divine Great wine of battle wrath by God's ring-finger stirred. Then upward, where the shadowy bastion loomed Huge on the mountain in the wet sea light, Whence now, and now, infernal flowerage bloomed, Bloomed, burst, and scattered down its deadly seed, — They swept, and died like freemen on the height, Like freemen, and like men of noble breed; And when the battle fell away at night By hasty and contemptuous hands were thrust Obscurely in a common grave with him The fair-haired keeper of their love and trust. Now limb doth mingle with dissolved limb In nature's busy old democracy To flush the mountain laurel when she blows Sweet by the Southern sea, And heart with crumbled heart climbs in the rose: — The untaught hearts with the high heart that knew This mountain fortress for no earthly hold Of temporal quarrel, but the bastion old Of spiritual wrong, Built by an unjust nation sheer and strong, Expugnable but by a nation's rue And bowing down before that equal shrine By all men held divine, Whereof his band and he were the most holy sign. VII O bitter, bitter shade! Wilt thou not put the scorn And instant tragic question from thine eye? Do thy dark brows yet crave That swift and angry stave — Unmeet for this desirous morn — That I have striven, striven to evade? Gazing on him, must I not deem they err Whose careless lips in street and shop aver As common tidings, deeds to make his cheek Flush from the bronze, and his dead throat to speak? Surely some elder singer would arise, Whose harp hath leave to threaten and to mourn Above this people when they go astray. Is Whitman, the strong spirit, overworn? Has Whittier put his yearning wrath away? I will not and I dare not yet believe! Though furtively the sunlight seems to grieve, And the spring-laden breeze Out of the gladdening west is sinister With sounds of nameless battle overseas; Though when we turn and question in suspense If these things be indeed after these ways, And what things are to follow after these, Our fluent men of place and consequence Fumble and fill their mouths with hollow phrase, Or for the end-all of deep arguments Intone their dull commercial liturgies — I dare not yet believe! My ears are shut! I will not hear the thin satiric praise And muffled laughter of our enemies, Bidding us never sheathe our valiant sword Till we have changed our birthright for a gourd Of wild pulse stolen from a barbarian's hut; Showing how wise it is to cast away The symbols of our spiritual sway, That so our hands with better ease May wield the driver's whip and grasp the jailer's keys. VIII Was it for this our fathers kept the law? This crown shall crown their struggle and their ruth? Are we the eagle nation Milton saw Mewing its mighty youth, Soon to possess the mountain winds of truth, And be a swift familiar of the sun Where aye before God's face his trumpets run? Or have we but the talons and the maw, And for the abject likeness of our heart Shall some less lordly bird be set apart? Some gross-billed wader where the swamps are fat? Some gorger in the sun? Some prowler with the bat? IX Ah, no! We have not fallen so. We are our fathers' sons: let those who lead us know! 'T was only yesterday sick Cuba's cry Came up the tropic wind, "Now help us, for we die!" Then Alabama heard, And rising, pale, to Maine and Idaho Shouted a burning word. Proud state with proud impassioned state conferred, And at the lifting of a hand sprang forth, East, west, and south, and north, Beautiful armies. Oh, by the sweet blood and young Shed on the awful hill slope at San Juan, By the unforgotten names of eager boys Who might have tasted girl's love and been stung With the old mystic joys And starry griefs, now the spring nights come on, But that the heart of youth is generous, — We charge you, ye who lead us, Breathe on their chivalry no hint of stain! Turn not their new-world victories to gain! One least leaf plucked for chaffer from the bays Of their dear praise, One jot of their pure conquest put to hire, The implacable republic will require; With clamor, in the glare and gaze of noon, Or subtly, coming as a thief at night, But surely, very surely, slow or soon That insult deep we deeply will requite. Tempt not our weakness, our cupidity! For save we let the island men go free, Those baffled and dislaureled ghosts Will curse us from the lamentable coasts Where walk the frustrate dead. The cup of trembling shall be drained quite, Eaten the sour bread of astonishment, With ashes of the hearth shall be made white Our hair, and wailing shall be in the tent; Then on your guiltier head Shall our intolerable self-disdain Wreak suddenly its anger and its pain; For manifest in that disastrous light We shall discern the right And do it, tardily. — O ye who lead, Take heed! Blindness we may forgive, but baseness we will smite. Candlemas. [Alice Brown] O hearken, all ye little weeds That lie beneath the snow, (So low, dear hearts, in poverty so low!) The sun hath risen for royal deeds, A valiant wind the vanguard leads; Now quicken ye, lest unborn seeds Before ye rise and blow. O furry living things, adream On winter's drowsy breast, (How rest ye there, how softly, safely rest!) Arise and follow where a gleam Of wizard gold unbinds the stream, And all the woodland windings seem With sweet expectance blest. My birds, come back! the hollow sky Is weary for your note. (Sweet-throat, come back! O liquid, mellow throat!) Ere May's soft minions hereward fly, Shame on ye, laggards, to deny The brooding breast, the sun-bright eye, The tawny, shining coat! The Unreturning. [Bliss Carman] The old eternal spring once more Comes back the sad eternal way, With tender rosy light before The going-out of day. The great white moon across my door A shadow in the twilight stirs; But now forever comes no more That wondrous look of Hers. A Song in Spring. [Thomas S. Jones, Jr.] O little buds all bourgeoning with Spring, You hold my winter in forgetfulness; Without my window lilac branches swing, Within my gate I hear a robin sing — O little laughing blooms that lift and bless! So blow the breezes in a soft caress, Blowing my dreams upon a swallow's wing; O little merry buds in dappled dress, You fill my heart with very wantonness — O little buds all bourgeoning with Spring! May is building her House. [Richard Le Gallienne] May is building her house. With apple blooms She is roofing over the glimmering rooms; Of the oak and the beech hath she builded its beams, And, spinning all day at her secret looms, With arras of leaves each wind-swayed wall She pictureth over, and peopleth it all With echoes and dreams, And singing of streams. May is building her house. Of petal and blade, Of the roots of the oak, is the flooring made, With a carpet of mosses and lichen and clover, Each small miracle over and over, And tender, traveling green things strayed. Her windows, the morning and evening star, And her rustling doorways, ever ajar With the coming and going Of fair things blowing, The thresholds of the four winds are. May is building her house. From the dust of things She is making the songs and the flowers and the wings; From October's tossed and trodden gold She is making the young year out of the old; Yea: out of winter's flying sleet She is making all the summer sweet, And the brown leaves spurned of November's feet She is changing back again to spring's. Here is the Place where Loveliness keeps House. [Madison Cawein] Here is the place where Loveliness keeps house, Between the river and the wooded hills, Within a valley where the Springtime spills Her firstling wind-flowers under blossoming boughs: Where Summer sits braiding her warm, white brows With bramble-roses; and where Autumn fills Her lap with asters; and old Winter frills With crimson haw and hip his snowy blouse. Here you may meet with Beauty. Here she sits Gazing upon the moon, or all the day Tuning a wood-thrush flute, remote, unseen: Or when the storm is out, 't is she who flits From rock to rock, a form of flying spray, Shouting, beneath the leaves' tumultuous green. Water Fantasy. [Fannie Stearns Davis] O brown brook, O blithe brook, what will you say to me If I take off my heavy shoon and wade you childishly? O take them off, and come to me. You shall not fall. Step merrily! But, cool brook, but, quick brook, and what if I should float White-bodied in your pleasant pool, your bubbles at my throat? If you are but a mortal maid, Then I shall make you half afraid. The water shall be dim and deep, And silver fish shall lunge and leap About you, coward mortal thing. But if you come desiring To win once more your naiadhood, How you shall laugh and find me good — My golden surfaces, my glooms, My secret grottoes' dripping rooms, My depths of warm wet emerald, My mosses floating fold on fold! And where I take the rocky leap Like wild white water shall you sweep; Like wild white water shall you cry, Trembling and turning to the sky, While all the thousand-fringed trees Glimmer and glisten through the breeze. I bid you come! Too long, too long, You have forgot my undersong. And this perchance you never knew: E'en I, the brook, have need of you. My naiads faded long ago, — My little nymphs, that to and fro Within my waters sunnily Made small white flames of tinkling glee. I have been lonesome, lonesome; yea, E'en I, the brook, until this day. Cast off your shoon; ah, come to me, And I will love you lingeringly! O wild brook, O wise brook, I cannot come, alas! I am but mortal as the leaves that flicker, float, and pass. My body is not used to you; my breath is fluttering sore; You clasp me round too icily. Ah, let me go once more! Would God I were a naiad-thing whereon Pan's music blew; But woe is me! you pagan brook, I cannot stay with you! Bacchus. [Frank Dempster Sherman] Listen to the tawny thief, Hid beneath the waxen leaf, Growling at his fairy host, Bidding her with angry boast Fill his cup with wine distilled From the dew the dawn has spilled: Stored away in golden casks Is the precious draught he asks. Who, — who makes this mimic din In this mimic meadow inn, Sings in such a drowsy note, Wears a golden-belted coat; Loiters in the dainty room Of this tavern of perfume; Dares to linger at the cup Till the yellow sun is up? Bacchus 't is, come back again To the busy haunts of men; Garlanded and gaily dressed, Bands of gold about his breast; Straying from his paradise, Having pinions angel-wise, — 'T is the honey-bee, who goes Reveling within a rose! Da Leetla Boy. [Thomas Augustine Daly] Da spreeng ees com'! but oh, da joy Eet ees too late! He was so cold, my leetla boy, He no could wait. I no can count how manny week, How manny day, dat he ees seeck; How manny night I seet an' hold Da leetla hand dat was so cold. He was so patience, oh, so sweet! Eet hurts my throat for theenk of eet; An' all he evra ask ees w'en Ees gona com' da spreeng agen. Wan day, wan brighta sunny day, He see, across da alleyway, Da leetla girl dat's livin' dere Ees raise her window for da air, An' put outside a leetla pot Of — w'at-you-call? — forgat-me-not. So smalla flower, so leetla theeng! But steell eet mak' hees hearta seeng: "Oh, now, at las', ees com' da spreeng! Da leetla plant ees glad for know Da sun ees com' for mak' eet grow. So, too, I am grow warm and strong." So lika dat he seeng hees song. But, Ah! da night com' down an' den Da weenter ees sneak back agen, An' een da alley all da night Ees fall da snow, so cold, so white, An' cover up da leetla pot Of — w'at-you-call? — forgat-me-not. All night da leetla hand I hold Ees grow so cold, so cold, so cold! Da spreeng ees com'; but oh, da joy Eet ees too late! He was so cold, my leetla boy, He no could wait. Agamede's Song. [Arthur Upson] Grow, grow, thou little tree, His body at the roots of thee; Since last year's loveliness in death The living beauty nourisheth. Bloom, bloom, thou little tree, Thy roots around the heart of me; Thou canst not blow too white and fair From all the sweetness hidden there. Die, die, thou little tree, And be as all sweet things must be; Deep where thy petals drift I, too, Would rest the changing seasons through. Why. [Bliss Carman] For a name unknown, Whose fame unblown Sleeps in the hills For ever and aye; For her who hears The stir of the years Go by on the wind By night and day; And heeds no thing Of the needs of Spring, Of Autumn's wonder Or Winter's chill; For one who sees The great sun freeze, As he wanders a-cold From hill to hill; And all her heart Is a woven part Of the flurry and drift Of whirling snow; For the sake of two Sad eyes and true, And the old, old love So long ago. The Wife from Fairyland. [Richard Le Gallienne] Her talk was all of woodland things, Of little lives that pass Away in one green afternoon, Deep in the haunted grass; For she had come from fairyland, The morning of a day When the world that still was April Was turning into May. Green leaves and silence and two eyes — 'T was so she seemed to me, A silver shadow of the woods, Whisper and mystery. I looked into her woodland eyes, And all my heart was hers, And then I led her by the hand Home up my marble stairs; And all my granite and my gold Was hers for her green eyes, And all my sinful heart was hers From sunset to sunrise; I gave her all delight and ease That God had given to me, I listened to fulfill her dreams, Rapt with expectancy. But all I gave, and all I did, Brought but a weary smile Of gratitude upon her face; As though a little while, She loitered in magnificence Of marble and of gold And waited to be home again When the dull tale was told. Sometimes, in the chill galleries, Unseen, she deemed, unheard, I found her dancing like a leaf And singing like a bird. So lone a thing I never saw In lonely earth or sky, So merry and so sad a thing, One sad, one laughing, eye. There came a day when on her heart A wildwood blossom lay, And the world that still was April Was turning into May. In the green eyes I saw a smile That turned my heart to stone: My wife that came from fairyland No longer was alone. For there had come a little hand To show the green way home, Home through the leaves, home through the dew, Home through the greenwood — home. Life. [John Hall Wheelock] Life burns us up like fire, And Song goes up in flame: The radiant body smoulders To the ashes whence it came. Out of things it rises With a mouth that laughs and sings, Backward it fades and falters Into the char of things. Yet soars a voice above it — Love is holy and strong; The best of us forever Escapes in Love and Song. Song is so old. [Hermann Hagedorn] Song is so old, Love is so new — Let me be still And kneel to you. Let me be still And breathe no word, Save what my warm blood Sings unheard. Let my warm blood Sing low of you — Song is so fair, Love is so new! That Day you came. [Lizette Woodworth Reese] Such special sweetness was about That day God sent you here, I knew the lavender was out, And it was mid of year. Their common way the great winds blew, The ships sailed out to sea; Yet ere that day was spent I knew Mine own had come to me. As after song some snatch of tune Lurks still in grass or bough, So, somewhat of the end o' June Lurks in each weather now. The young year sets the buds astir, The old year strips the trees; But ever in my lavender I hear the brawling bees. Song. "For me the jasmine buds unfold". [Florence Earle Coates] For me the jasmine buds unfold And silver daisies star the lea, The crocus hoards the sunset gold, And the wild rose breathes for me. I feel the sap through the bough returning, I share the skylark's transport fine, I know the fountain's wayward yearning, I love, and the world is mine! I love, and thoughts that sometime grieved, Still well remembered, grieve not me; From all that darkened and deceived Upsoars my spirit free. For soft the hours repeat one story, Sings the sea one strain divine; My clouds arise all flushed with glory — I love, and the world is mine! Mother. [Theresa Helburn] I have praised many loved ones in my song, And yet I stand Before her shrine, to whom all things belong, With empty hand. Perhaps the ripening future holds a time For things unsaid; Not now; men do not celebrate in rhyme Their daily bread. Songs for my Mother. [Anna Hempstead Branch]